'Burt' is a peek into the life of a unique, talented man who has had plenty of struggles, yet he always manages to keep an optimistic attitude through it all.
'The Surfer' is a trippy, psychological thriller that’s all about the vibes and, man, whatever vibes director Lorcan Finnegan and screenwriter Thomas Martin were putting down, I was totally picking up.
'Thunderbolts*' doesn’t push the envelope all that much, but fans of the MCU should be satisfied not just by seeing these characters team up, but that the franchise as a whole seems to be really building towards something again.
'On Swift Horses' has an intimate 1950’s quality and a talented cast leading it, but it struggles to pick a lane when telling the story to the point where it hardly has a story at all.
Ryan Coogler’s signature exploration into the racial experiences of black people in America is what makes his movies what they are, and 'Sinners' is no exception.
'The Wedding Banquet' is one of those great romantic comedies due to the quick-witted dialogue and timely social satire, but it’s the dramatic elements and the amazing cast that really elevate it.
Hysterically funny from beginning to end, 'The Ballad of Wallis Island' is a complete delight featuring phenomenal comedic performances and an interesting look into fandoms and creative partnerships.
'A Working Man' is a movie with very David Ayer direction, a very Sylvester Stallone script, and a very Jason Statham performance, for better or worse.
'Snow White' is still a soulless, desperate cash grab at its core, but sincere intent from the filmmakers and a wonderful lead performance from Rachel Zegler give it a warm beating heart.
'The Alto Knights' is a mob movie through and through with all the prerequisite clichés, but that’s all they are that this point: clichés that remind you of much better movies aka the glory days.
Even if 'Novocaine' falls a little short in the action movie department, it’s still a great time at the movies thanks to a sharp comedic script and an incredible lead performance from Jack Quaid.
'Conclave' isn’t just a gripping story about a deeply religious man struggling with his faith in an everchanging, cynical world, but it also allows a fascinating look into how the Catholic Church operates behind closed doors.
'The Monkey' is a pitch perfect horror-comedy where if you have a penchant for twisted, blood-soaked, macabre laughs, you’ll have a rollicking good time.
'Parthenope' is like if an intelligent, accomplished professional in their field gave a TED Talk and decided to speak mostly about their sex life in their younger days.
Fernanda Torres’ powerhouse performance guides 'I'm Still Here', the entire film basically hinging on her. The story of Eunice Paiva’s tenacity is inspiring, but Torres really sells it with tragic emotional impact.
'You’re Cordially Invited' could have benefitted from tightening up the script and raising the absurd stakes of the premise, but Ferrell and Witherspoon are both firing on all cylinders to provide plenty of laughs.
'Emelia Pérez' is the definition of "out of touch." To make some sort of kitschy musical out of current real-world issues screams of misguided self-importance.
'Nosferatu' is another knockout from Robert Eggers, who finally got to live out his Gothic horror fantasies and remake one of the most iconic films of all time.
People often like to keep their eyes averted from reality, so they don’t have to confront the harsh truths in life. 'Nickel Boys' doesn’t allow the audience to do that here.
'Sonic the Hedgehog 3' is basically on the same level as the first two installments, providing a similar amount of heart, humor, and fun, but now with way more action and fan service.
Kids and fans of the 2019 'Lion King' remake will definitely find plenty to enjoy about Mufasa’s origin, but just like the film that inspired it, 'Mufasa: The Lion King' simply feels pointless.
